Carian mengenai topik ahmad-fuad-osman

What story was the show at Balai Seni Negara attempt to tell? Sharaad Kuttan speaks to artist Ahmad Fuad Osman and curator for the mid-career show At the End of the Day Even Art is Not Important (1990-2019), Shabbir Hussain Mustafa from the National Gallery of Singapore.

The decision by the National Art Gallery (Balai Seni Negara) to censor four works that had been part of a three-month long show, outrage and political intervention ensued. Finally, the works were restored but what lessons have been learnt? Sharaad Kuttan speaks to artist Ahmad Fuad Osman and curator for the mid-career show At the End of the Day Even Art is Not Important (1990-2019), Shabbir Hussain Mustafa from the National Gallery of Singapore.

The decision by the National Art Gallery (Balai Seni Negara) to censor four works that had been part of a three-month long show, outrage and political intervention ensued. Finally, the works were restored but what lessons have been learnt? Sharaad Kuttan speaks to artist Ahmad Fuad Osman and curator for the mid-career show At the End of the Day Even Art is Not Important (1990-2019), Shabbir Hussain Mustafa from the National Gallery of Singapore.

Benarkah adanya respon atau aduan masyarakat yang diterima pihak Balai Seni Visual mengenai empat karya Ahmad Fuad.

Sebelum memulakan hari anda, berikut lima berita penting perlu anda tahu.

Balai Seni Negara berhak menurunkan karya-karya yang menyentuh maruah mana-mana individu, agama, politik, bangsa, adat dan negara.